The research project CRIES investigates the role of collective singing during times of social crisis in the Baltic and Scandinavian regions, from ca. 1800 to the present. Singing together appears to be a universal human response to crisis—a notion recently reinforced by viral videos of collective singing in Ukrainian bomb shelters. Scandinavian and Baltic countries, known for their rich traditions of collective singing, have historically used song to foster cultural resilience, resolve conflicts, and promote inclusivity. Singing traditions in these regions play a key role in shaping social cohesion, cultural identity, and heritage. Yet, despite these apparent similarities, no studies have directly compared singing practices across Scandinavia and the Baltics. The CRIES project addresses this gap, investigating the diverse social impacts of collective singing during crises. It clarifies how singing fosters communal bonds but may also create exclusion or discord.

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